The two novellas in So Much for That Winter have certain things in common with each other and relatively little in common with anything else I’ve ever read. They are unique in form. “Minna Needs Rehearsal Space” is told in declarative sentences, one after another, one line at a time, never grouped as paragraphs. “Days” is a story in numbered bullet points. While, admittedly, it takes a page or two to get used to storytelling in these formats, once you are used to it (if you’re like me anyway), you forget that it’s different. Instead, it works with the story.
Both novellas’ main characters are women recovering from break-ups. The story-in-headlines of Minna conveys how our very thinking is altered in the aftermath of a dissolved relationship: everything feels drastic, nothing flows naturally, and every action completed without the support or presence of a former partner feels like an accomplishment. Similarly, in “Days,” the lists feel like journal entries, all seemingly saying, “I survived this day. I will keep on surviving.” Altogether, the book is around 160 pages of anxiety and revelation. It took me hardly any time to read it, but processing it was a long and enjoyable experience.